![]() ![]() Jealousy is therefore important in the relationship between the audience and Iago. Muit has also said that it causes the audience to see themselves in Iago, concluding that "we are all in some measure Iagos". These justifications have also been said to be used by Shakespeare in order for the audience to see Iago as a character rather than an abstract form of evil which many, such as Stoll, see Iago as a "demon". and is not convincing." This is reflected in the syntax of the speech as Iago states "I hate the moor / And it is thought." The enjambment and use of a conjunctive indicates that these justifications are merely afterthoughts to Iago's hatred, and jealousy is not the root of his plans but the way to facilitate them. Heilman describes Iago as he "hurries over the contention that he has been treated unjustly. A similar occurrence happens during Iago's revelation that the Moor has "done office" this is never again mentioned. This conversation, however, is soon transformed into an outlet for Iago's hatred of Othello with no further mention of Cassio. The assonance and use of single consonants adds an almost humble tone, but as the speech continues, it is apparent that this is not the only cause of jealousy Iago seems scathing of his "bookish rhetoric" demonstrating contempt of the more privileged class. The play opens on Iago expressing his jealousy of Cassio this jealousy appears initially fairly felt as Iago equates himself with Cassio, stating that "I am worth no worse a place". Iago gives plenty of reason for the audience to view him as primarily jealous but these claims prove unconvincing. ![]() The two characters who succumb to jealousy are Othello and Iago, both complicated characters whose jealousy is similarly confounded with other feelings. This, however, is a superficial assumption as there are many other emotions that help drive the play. The obvious cause of the culminating deaths at the end of the play would appear to be jealousy. ![]()
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